Siti Nurhaliza-Aku Cinta PadaMu

Juara Lagu 1997 - Aku Cinta PadaMu

She became widely recognised since that. That was 10 years ago!!

Andai engkau ku miliki
Terdahulu sebelumnya
Andaikan curah rasa hati
Mungkin kini ku kan tenang di sampingmu

Belum puasku menikmati
Kesan kasih sayang kau terpaksa pergi
Inginku terus dicintai
Walau bisikanmu azimat berduri
Bila cinta berbunga
Jadi airmata dijariku

Betapaku cinta padamu
Katakanlah kau cinta padaku
Sematkanlahku di hatimu
Walau di mana berada
Ingatku dalam doamu

Hiasilah hati
Dengan cinta suci
Selamanya

Solo (repeat 1)

Gemerlapan jiwa
Semikanlah cita
Semoga kau dan aku
Akhirnya bersama

Akukan menunggu
Walaupun seribu tahun lagi





Siti Nurhaliza binti Tarudin (born January 11, 1979) is a multiple-award winning Malaysian pop singer-songwriter. She is currently the most successful Malaysian singer. While there have been artists from Malaysia who reached international stardom but left the country in their pursuit of success, Siti Nurhaliza's career was planted and blossomed locally and as predicted, she has become an international icon respectively. She was honoured with the title Darjah Indera Mahkota Pahang (DIMP) by the Sultan of Pahang which carries the title 'Datuk' infront of her name.[1] To date, she has garnered more than 100 local awards as well as international awards.More here


BONUS track. She sang na ying's征服

Posted by ericall at 8:45 AM 0 comments

Akim Camara - five-year-old violinist

Berlin - Mozart began at four. Akim Camara was only two, when he got his first violin lesson in the Music School of Marzahn-Hellersdorf. Today this "miracle" child is five years old and also the youngest student of the Music College of "Hanns Eisler" in center.
Berlin - Mozart hat mit vier angefangen. Akim Camara war erst zwei, als er seinen ersten Geigenunterricht in der Musikschule Marzahn-Hellersdorf bekam. Heute ist das Wunderkind fünf Jahre alt und der jüngste Student der Musikhochschule "Hanns Eisler" in Mitte.


Birgit Thiele still can remember exactly, in May 2003 how Akim stood in front of her with his plastic violin toy. What the violin teacher has experienced, has impressed her. "Akim couldn't speak correctly yet, however he knew how to play all of the orchestral instruments. In addition it is absolutely through listening." Birgit Thiele taught this little kid twice a week and each time three-quarter hour. "With an enthusiasm Akim learned unbelievably fast." In December, this two-year one played at the Christmas concert in the Music School “Schneeflöckchen, Weißröckchen” - appearing with diapers and pacifier.
Birgit Thiele erinnert sich noch genau, wie Akim im Mai 2003 mit seiner Spielzeug-Geige aus Plastik vor ihr stand. Was die Geigenlehrerin erlebte, verschlug ihr den Atem. "Akim konnte zwar noch nicht richtig sprechen, kannte aber alle Orchesterinstrumente. Außerdem hat er das absolute Gehör." Birgit Thiele unterrichtete den Kleinen zwei Mal pro Woche je eine Dreiviertelstunde. "Akim war mit einer Begeisterung dabei, lernte unglaublich schnell." Im Dezember spielte der Zweijährige beim Weihnachtskonzert der Musikschule "Schneeflöckchen, Weißröckchen" - mit Windel und Schnuller nach dem Auftritt.


Akim's large model is André Rieu. One day, Birgit Thiele and the music head mistress wrote to the violin star a letter. He replied promptly and invited Akim to Holland. Gudrun Mueller: “Both of them played there together and later also in the "forest stage" of Berlin.”
Akims großes Vorbild ist André Rieu. Eines Tages schrieben Birgit Thiele und die Musikschul-Leiterin dem Stargeiger einen Brief. Der meldete sich prompt, lud Akim nach Holland ein. Gudrun Müller: "Dort spielten die beiden zusammen und später auch in der Waldbühne Berlin."

Nevertheless Akim a cheerful, small boy, who goes to the day-care centre, and dreaming of swarming for Gummibärchen (a kind of sweet with bear shape) and elephants. Akim likes to play his violin or piano, which is the second instrument he learns, the most. Exactly the same like young Mozart at that time.
Trotzdem ist Akim ein fröhlicher, kleiner Junge, der in die Kita geht, gern herum tollt, für Gummibärchen und Elefanten schwärmt. Am liebsten aber spielt er auf seiner Geige oder auf dem Klavier, das er als zweites Instrument erlernt. Genau wie der junge Mozart damals.

Probably the most famous erotic french song

Originally written by French pop music legend Serge Gainsbourg in 1967 in response to a request from Brigitte Bardot to write 'the most romantic song that [Gainsbourg] could imagine', 'Je T'aime (Moi Non Plus)' went on to become a worldwide hit and create considerable scandal.

Although Gainsbourg did record the song with Bardot in 1968, she considered it too outrageous and refused to let their version be released¹. It was not until the following year that he recorded the now infamous version that BBC radio, among many others, would ban from their playlists. In the intervening period he had split with Bardot and begun a relationship with young British actress Jane Birkin², who he had met when they worked together on the film Slogan. In November he recorded a number of tracks with her and the record was released early in 1969.

Released at the peak of the sexual revolution of the swinging sixties, the song is a kind of conversation between two lovers as they do what lovers do and gradually bring one another towards a climax. It opens with Birkin moaning sensuously and whispering, 'Je t'aime'³, to which Gainsbourg rather cryptically replies, 'Moi non plus!'⁴ After further sensuous groaning from Jane B, he then croons 'Je vais et je viens, entre tes reins'⁵, 'et je, me re-tiens!' ⁶. As the song/lovemaking goes on, he describes himself as, 'la vague irresolue' ⁷, while later she identifies herself as 'l'ile nue' ⁸. After a final bout of still more intense groaning, the climax comes as Birkin breathlessly beckons (when Serge says again that he is holding himself back), 'Non! Maintenant - viens! ⁹ Yes, it's racy stuff all right!

In August, at the height of the 'Summer of Love' the risqué moan-a-thon hit number one in the UK charts and had similar success in other European countries. The erotic 'panting' caused moral indignation, particularly in Italy and Catholic circles generally. Perhaps unsurprisingly in those heady days of hippy permissiveness and promiscuity, this did nothing to reduce (indeed, may well have increased) sales and following a second pressing, sales in France topped the million mark. When the official Vatican newspaper, L'Osservatore, denounced the song as obscene, though, it was banned from radio or television across Italy and in September other countries including Sweden, Spain and the UK followed Italy's lead. But the horse had already bolted; the record continued to sell all over Europe.

Interestingly, the single's progress to the number one spot in the British charts seems to have been helped rather than hindered by the moral outcry. It was originally released in Britain on the Fontana label, but after it reached number two Fontana withdrew the record from sale, presumably in response to all the scandal surrounding it. Gainsbourg hurriedly struck a deal with a leading independent label of the day, Major Minor, and 'Je T'Aime' was quickly re-issued - whereupon the demand caused by its temporary unavailability took it straight to number one.

It has always been difficult for any French song to break through the one-way musical language-barrier that is The Channel. The massive French hit of the 1950s 'Comme d'habitude' was only successful in America and the UK when given new lyrics and an English-speaking singer - you might have heard the result, known to millions of English-speakers as 'My Way'... Anyway, the very same year that 'Je T'Aime...' was originally released, there was already a second version of the tune in the UK Top 40, credited to Sounds Nice featuring Tim Mycroft. But 'tune' really is the operative word here; entirely instrumental and with the title changed to 'Love At First Sight (Je T'Aime Moi Non Plus)', it peaked at number 18 in the UK chart. Later, British reggae act Judge Dread reached number nine in the UK chart in 1975 with a rather silly comedy version, which was not nearly as silly as Frankie Howerd's take on it. More recently Misty Oldland took the instrumental track as the basis of her funky soul number 'A Fair Affair (Je T'aime)' in 1994, with some chart success. Perhaps the most unlikely version is from Mick Harvey (better known as the guitarist with semi-goth rock combo The Bad Seeds¹⁰), who as a solo artist released not one but two LPs of Gainsbourg covers, the second of which, Pink Elephants, included 'I Love You... Nor do I', with Anita Lane in the Birkin role.

Something of an anglophile, Gainsbourg may have been disappointed to think that 'Je T'aime (Moi Non Plus)' was probably the only one of his songs that ever achieved widespread recognition among English-speakers - and perhaps somewhat exasperated that most would be hard-pressed to put a name to it, still less name the artist. Nonetheless, the sound of the first few bars, surely the Wurlitzer organ's most erotic moment, made their mark on the musical landscape and will long be associated with the free sexuality of the sixties and seventies.

---

¹ It was finally released on a Bardot compilation LP in the mid-eighties
² the then estranged wife of the celebrated film composer John Barry
³ 'I love you'
⁴ Me neither!
⁵ 'I go back and forth, between your hips' (literally, 'between your kidneys', but this hardly seems appropriate under the circumstances)
⁶ and I hold myself back'
⁷ 'the undecided/unresolved wave'
⁸ 'the naked isle'
⁹ 'No! Now - come!'
¹⁰ see Guide Entry on Nick Cave for further details



Je t'aime, je t'aime
oh, oui je t'aime!
moi non plus
oh, mon amour...
comme la vague irrésolu
je vais, je vais et je viens
entre tes reins
je vais et je viens
entre tes reins
et je me retiens

je t'aime, je t'aime
oh, oui je t'aime!
moi non plus
oh mon amour...
tu es la vague, moi l'île nue
tu va, tu va et tu viens
entre mes reins
tu vas et tu viens
entre mes reins
et je te rejoins

je t'aime, je t'aime
oh, oui je t'aime!
moi non plus
oh, mon amour...
comme la vague irrésolu
je vais, je vais et je viens
entre tes reins
je vais et je viens
entre tes reins
et je me retiens

tu va, tu va et tu viens
entre mes reins
tu vas et tu viens
entre mes reins
et je te rejoins

je t'aime, je t'aime
oh, oui je t'aime!
moi non plus
oh mon amour...
l'amour physique est sans issue
je vais, je vais et je viens
entre tes reins
je vais et je viens
et je me retiens
Non! Maintenant viens!

English version by nick cave.

I love you, I love you, Oh yes I love you
Nor do I
Oh my love
Like the wave, irresolute
I go, I go and I come, Inside you my love
I go and I come, Inside you my love
And then I hold on

I love you, I love you, Oh Yes I love you
Nor do I
You are the wave, And I the naked island
You go, you go and you come, inside me me love
you go and you come inside me my love
and then we are one

I love you, I love you, Oh yes I love you
Nor do I
Oh my love
Like the wave, irresolute
I go, i go and I come, Inside you my love
I go and I come, Inside you my love
And then I hold on

I love, I love you my love, Inside me my love
I love you my love, Deep inside me my love
And then we are one

I love you, I love you, Oh yes I love
Nor do I
Oh my love
Physical love is a dead end
I go, I go and I come, Inside you my love
I go and I come
And I hold on

No. Now...come


There are lots of interesting little facts concernings this song. As for its meaning, this is what Serge himself once said:

"I love women as an object, the beautiful women, the mannequins, the models. This is the inner painter in me. I never tell them I love them. Je t'aime... moi non plus (I love you... me neither) expresses erotism overcoming sentimentalism… So many songs about romantic and sentimental love, encounters, discoveries, jealousy, illusions, desillusions, betrayals, remorses, hatred, etc... Then why not devote a song to a sort of love much more current these days: physical love? "Je t'aime" isn't an obscene song, it's very reasonable to me, and fills this gap. Its explanation is that girls say "I love you" during sex, and the man with their ridiculous virility doesn't believe them. They think the girls only say it as a result of enjoyment, of pleasure. I guess I believe the girls, or maybe that's a result of my fear. But that's also an aesthetic step, a search of absoluteness"

Everything's fair in love and the search for absoluteness.




Now for the interesting little facts. This song was released in 1968. It was originally intended that Brigitte Bardot do the female part, but when she backed out Jane Birkin, Serge's future lover and mother of his daughter Charlotte, stepped in. You might remember Jane Birkin as the blond girl who got naked in Antonioni's "Blow-Up". The song received strong criticism for its language and the suggestive panting and moaning, particularly from the Vatican which condemned it in its official newspaper. The song was banned from radio and television in many countries including Italy, UK, Spain and the otherwise so liberal Sweden. This didn't stop it from reaching no. 1 in the charts in the UK and other European countries, pretty spectacular for a song in French. In the US the song made no. 69(!) in the charts.

手塚治虫 ♦ Osamu Tezuka

手塚治虫（官方网站：http://en-f.tezuka.co.jp/），日本漫画之神。他的作品无数，而且个个经典。
Osamu Tezuka (Official website: http://en-f.tezuka.co.jp/), known as the God of Manga. Countless art works, all are classic.

出名作：
Famous works:



森林大帝/小白狮
Kimba the White Lion


缎带骑士
Princess Knight


孙悟空
Son-goku the Monkey


三眼神童
The Three-eyed One


怪医秦博士/怪医黑杰克
Black Jack
（官方网站 Official website：http://www.e-muse.com.tw/property/blackjack/introduction/20070608/index.html）


原子小金刚/无敌小飞侠
Astro Boy
（官方网站 Official website： http://astroboy.jp/）



大家知道谁是藤子不二雄吗？
Do you know who are Fujiko Fujio?

藤子·F·不二雄
Fujiko F. Fujio


藤子不二雄A
Fujiko Fujio (A)

这个名就是在忍者哈特利，哆啦A梦里/小叮当，小鬼Q太郎和小超人里出现过咯！他们都是手塚治虫的徒弟哦！
This name occurs in Ninja Hattori Kun， Doraemon, Obake no Q-tarō and Pāman Comics! They are both Osamu Tezuka's students!

海豚音 ♦ Dolphin's voice

海豚音正确的学名不知道叫什么。
"Dolphin's voice" the proper name i don't really know what is it called.

维奇百科写是“哨音”
In Wikipedia is called "Whistle register"

百度查到叫做“咽音”
From Baidu i got another name.

哈林叫它“泛音” (但是我觉得维奇百科的比较可靠）
Harlem called it "overtone". (But i think Wikipedia one is the correct one)


哈林庾澄庆 Harlem Yu - Somewhere in Heaven


张靓颖 Jane Zhang - Loving You


俄罗斯海豚音王子 Vitas - Bumac


Adam Lopez - Highest Vocal Note by a Male


Georgia Brown - Highest Vocal Note by a Female

萍 ♦ Peng

http://taujionshui.multiply.com/

萍，一个很特别的女生，一个业余的画家。目前在悉尼念会计及财务。
Peng, a very special girl, an independent painter. She is now studying accounting and finance in Sydney.

想法很奇异，感觉有点天马行空，很废，却又很有道理；
Her tought is kind of weird, give you a feeling that a bit fantasy, shity, but quite meaningful;

讲起她的美术，也好像是在胡思乱想，很好笑，却又带一点哲学的气息。
talk about her art, it's also like abstract, very funny, but brings a little philosophy feel.


idraw


eXPres9ion


多鱼


Boxes


ipaint and isell


Humans Choose to Ignore


Thunder Hazard


Owl Abstract


Nightfall in Safari


Feeling Blue



玩野嗻
Spontaneous drawing


和脑生草一起脑生草


艾迪瑞安 米伦

Amazing Paper Art

Tired of Origami ? Time for a change!

Visit Micheal James's site to find out his other art pieces.

老夫子 ♦ Old Master Q

作者王泽，原名王家禧，生於天津，在北京辅仁大学学西画，后定居香港。
在教会担任编绘工作，並从事漫画创作，於一九六二年，以长子王泽为笔名创作《老夫子》漫画，深受读者喜爱，一纸风行至今。不知道成了多少人的童年回忆。
The author Wang Ze, original name Wang Jia Xi, born in Tian Jing, study eastern drawing in Beijing Fu Ren University, after that lived in Hong Kong.
He was doing art editor job in a church, and started to draw comics. In year 1962, he used Wang Ze as his nack name to compose the comics 《Old Master Q》. A lot of readers and fans love his comics so much until now, accompany the childhoods of thousands people in the world.


http://blog.roodo.com/oldmasterq/

《老夫子》漫画人物创于1962年，1964年首期《老夫子》漫画单行本出版于香港。60年代至70年代，《老夫子》漫画连载于香港多类报章与杂志。 《老夫子》风靡港、澳、台及东南亚地区，四十余年经久不衰，至今总销量已达六千万册以上，堪称华人漫画中的经典。
《Old Master Q》is first composed in year 1962, 1964 year the first episode 《Old Master Q》 comics was published in Hong Kong. From sixties to seventies, 《Old Master Q》comics was published constantly in different newspaper and magazine. 《Old Master Q》 was so popular in Hong Kong, Macao, Taiwan and South East Asia, over 40 years it was still so pupolar. Now the total sales is over 60 million books, it's known as the classic of chinese comics.


http://www.masterqa.idv.tw/

想要回味以前的点滴吗？短短的漫画却带来大大的欢乐，尽在这里。。。
Need something to remind you about your childhood? The short comics which brings you a huge joy are all here...


http://www.oldmasterq.com/


http://www.omqcomics.com/

Hyperreal Paintings by Denis Peterson

Hyperreal Paintings by Denis Peterson

I can't believe my eyes when i saw the ' pictures' .yet again . All the 'pictures' are actually paintings!!

超级星光大道 Millionstar

《超级星光大道》
Millionstar

一个被称为“亚洲国际娱乐市场的入口”的一个比赛
A Singing competition which is known as "The Entrance of the Asian Entertainment Business"

官方部落格（Official Blog）：http://www.wretch.cc/blog/millionstar


第一届里让我印象深刻的有三个人
There were 3 people who impressed me in the first season

星光同學會资优生：杨宗纬
Gifted singer: Yang Zong Wei

他的特色在于他的那把哭嗓，唱起苦情歌来特别到味。
His special crying voice let the audience feel sad when listening to his singing.




杨宗纬 - 背叛




因为谎报年龄，杨宗纬退赛。可惜啊可惜~~
Because of lying by telling the false age, Yang Zong Wei quited the competition. What a pity~~

第一届PK魔王台湾黑蜘蛛：萧敬腾
The PK king in first season, Taiwan Black Spider: Xiao Jing Teng

他的抖音和杨宗纬的声音很相识，也曾经打败过杨宗纬。我却特别喜欢他的假音很亮很顺很好听。
His vibrating voice is quite similar as Yang Zong Wei and he has defeated Yang Zong Wei before. I like his high pitch voice: sharp, smooth and very nice.



萧敬腾 - 霍元甲






萧敬腾-One Night in 北京






张惠妹 & 萧敬腾 - 一眼瞬间

《超级星光大道》第一季冠军：林宥嘉
The Champion of Millionstar in first season: Lin You Jia

他的声音可以唱嘹亮的歌。也可以用懒洋洋的声音唱起爵士，让听的人整个人都跟着松软了下来。还有他那张俊俏的脸孔也把很多女生迷倒。
He can sing resonantly, and also sing Jazz song with his lazy voice, you will feel the whole body like being soften after listening it. And his handsome outlooking attracted a lot of girls.




林宥嘉 - 你是我的眼





林宥嘉 - 老实情歌

星光同學會十强
Top 10 of Millionstar

还有美声派的潘裕文，舞蹈了得的周定纬，年纪小小的谢震廷，热爱创作的刘明峰等等都被受瞩目。

And Pan Yu Wen (smooth voice), Zhou Ding Wei (dance well), Xie Zhen Ting (very young), Liu Ming Feng (song composing) etc are also quite hit in this competition.







星光同学会 - 因为我相信



敬请密切留意第二届超级星光大道：http://blog.yam.com/millionstar/
Please keep an eye on the second season of Millionstar!~~

Long Exposure Light Show

Ian has sent this cool photos gallery of a light show, used long exposure photography to achive the effect. See also these long exposure picture motions and these cool Tesla coil sparks.

What can Sand do?

Ilana Yahav San Fantasy: http://www.sandfantasy.com/



Sand story by Joe Castillo: http://www.sandstory.com/



Korean World cup trailer: http://www.worldcup-2002.co.uk/



Seoul International Cartoon & Animation Festival: http://sicaf.or.kr/Eng/



Animal Planet: http://animal.discovery.com/



Promote the school National Institute of Technology Karnataka: http://www.nitk.ac.in/

黄明志 Wong Meng Chee/ Namewee

黄明志是马来西亚人，在台湾念书。不久前因为一首《麻坡的华语》，在网路上一炮而红。
Wong Meng Chee/ Namewee is Malaysian, studying now in Taiwan. Not long ago he started to become famous in internet with his song 《The Chinese in Muar》.




这首歌虽然很多粗话，但是毕竟没有特别讽刺什么人，听起来还蛮豪迈，所以备受欢迎。
Although in this song has quite a lot of dirty words, he didn't really criticise anyone. The song feels kind of gallant, that's why it's so popular.

其实他在之前也有做过一个短片介绍麻坡，但是没有这么一首短短的饶舌来得受欢迎。
Actually he had done a short movie to introduce Muar, but it's not as popular as this rap song.






后来大概是他心血来潮写了一首歌，叫《我的朋友》。
After that, he just simply write a song called 《My Friend》。




这首歌用几种语言唱，也说了很多讽刺的东西。用广东话讲吉隆坡人，用华语唱新加坡人，用马来语骂马来人。最后用英语打圆场，其实一切都是一场误解与互相的不了解而造成的意见不和。
This song have a few languages inside, and a lot of sarcastic stuff. Use Cantonese to blame people from Kuala Lumpur, use Chinese to criticise, use Malay to scold Malays. After everything he uses English to round his thing, and actually all of these is just misunderstanding.




而这首《Negarakuku》，就轰动了全马来西亚的关注。马来西亚政府准备要控告他，篡改国歌，诬蔑回教，还可能引渡他回马来西亚受审。依我看呢，他也不算篡改国歌，只不过是把自己的歌节上国歌而已，乱接国歌还可能告得成。诬蔑回教也没有啊！侮辱别人唱歌像公鸡都有罪？还要引渡他，又不是杀人放火。
Whereas this song 《Negarakuku》 catched the concern of the whole country. Malaysia government is going to sue him, editing National Anthem, slander Islam, and may use Extradition to ask him back. From my point of view, he didn't really edit National Athem but just joining it with his own song, maybe sue him on simply joining National Anthem will be better. Slander Islam? No way! It's just insulting someone's singing like a cock, that's all. Extradition? Isn't it too serious for this case?

之后，他道歉了。不因为什么，只因为他爸爸想息事宁人而听信马华的话，叫他公开道歉。
After that, he apologised. No other reason, just because his father wants to end this issue as soon as possible and believe what MCA said, ask him to apologise.



可惜马来西亚政府不接受道歉，坚持要告他。他就豁出去了，也有公司帮他出这个专辑《盗版之王》。
But Malaysia government doesn't accept his apologise, insist to sue him. He get fedup, and got company help him to release this album 《King of DaoBan(Pirated)》。



之后有个支持他的人放了这首歌《Negarakukuku》。马来西亚政府也没什么消息了，不知道是不是因为心虚国歌也是抄人家的歌《Mamula Moon》。
After that, one of his supporters puts this song《Negarakukuku》。And no further news from Malaysia government, don't know whether they feel shame as our National Anthem is also copying from other song 《Mamula moon》。


其实我个人认为黄明志很爱国，只是不爱政府（这个有差别哦！）。看了他这部短片，我很喜欢他最后写的一句“如果国家能够安定繁荣，不民主又如何？”。
Actually in my opinion, Namewee loves our country, but just doesn't like the government (they are different!). After watching this video of his, i really like what he wrote in the end: "If one nation can be prosperous and safe, why do we still need democracy?".

Reactogon interactive sequencer reminds me of star trek

from technabob

I recently came across this rather cool user interface for a music sequencer called the ReactOgon. Looking like something you’d find on the deck of the Starship Enterprise, the instrument uses a large tabletop multi-touch interface to create music sequences in real time.

The creators of the ReactOgon call it a “chain reactive performance arpeggiator”, which dynamically shifts its patterns and sequences based on coded discs placed on the flat-panel interface.

Each hexagonal cell on the surface represents a fixed note on the harmonic table. The placement of the discs influences the whether or not a note is played, as well as its placement in the sequence. By stringing together a number of directional discs, an entire musical sequence can be created. Special discs can also initiate multiple sequences, for more complex patterns. A bank of touch-sensitive sliders are then used to change volume, timbre and rhythm of the notes.

There’s no word on if or when the developers of this technology plan on commercializing the concept.

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